Fang Lijun painting owned by the Ludwig Museum, Cologne, Series 2 - Number 2, 1992. Fang Lijun. View art work,selected exhibitions and paintings of artist Fang Lijun at The Saatchi Gallery - London contemporary art gallery.

Feng Zhengjie decided to take inspiration from the popular images he had grown up with in rural Sichuan. Feng Zhengjie. View art work,selected exhibitions and paintings of artist Feng Zhengjie at The Saatchi Gallery - London contemporary art gallery.

Li Qing is making a simple and easily accessible visual world where audience may exchange idea and share a common feeling. Li Qing. View art work,selected exhibitions and paintings of artist Li Qing at The Saatchi Gallery - London contemporary art gallery.

Yue Minjun is a leading figure in what became to be known as Cynical Realism. Yue Minjun. View art work,selected exhibitions and paintings of artist Yue Minjun at The Saatchi Gallery - London contemporary art gallery.

Zhang Dali?s best known project is ?Dialogue? in which he sprays stylised outlines of heads on condemned buildings around Beijing. Zhang Dali. View art work,selected exhibitions and paintings of artist Zhang Dali at The Saatchi Gallery - London contemporary art gallery.

Zhang?s performances always involve his body in one way or another, usually naked, occasionally involving masochistic actions. Zhang Huan. View art work,selected exhibitions and paintings of artist Zhang Huan at The Saatchi Gallery - London contemporary art gallery.

Zhang Xiaogang's paintings also suggest something else - the enormous emotional pressures that a newly emergent Chinese middle-class has had to sustain. Zhang Xiaogang. View art work,selected exhibitions and paintings of artist Zhang Xiaogang at The Saatchi Gallery - London contemporary art gallery.

Wang Guangyi belongs to the category of Chinese contemporary art termed Political Pop: work that appropriates the visual tropes of the propaganda of the Cultural Revolution, reworking them in the flat, colorful style of American Pop.

Zeng Fanzhi delivers an art that feels new, not in its premises but in its refined vitality. His late paintings signify a shift in his focus from a formal concern with the representation of existential unsettlement to an interest in how we imagine ourselves interacting with nature. Still, in his newly developed landscape paintings, there is a notion of permanent escape ? an attempt to inhabit the uninhabitable.

Zhang?s work one finds splotches of the red paint. It appears to be mixed with something that won?t quite blend with it, and the effect is that of a potato stamp made from a bumpy, many-eyed spud. In the context of sex and birth, though, these bubbles and deep-red blotches are semen and blood.